Nuremberg Trials
From Reparations to Atonement
Where recognition of the Holocaust was once restricted to the office of the Chancellor, there is a grassroots commitment in today's Germany to take ownership of the past.
Monday, January 28, 2013 by Ismar Schorsch | Jewish Ideas Daily » Daily Features
Where recognition of the Holocaust was once restricted to the office of the Chancellor, there is a grassroots commitment in today's Germany to take ownership of the past.
Jews and Human Rights In Europe: the Unfulfilled Promise
While many German war criminals escaped prosecution, the European Court of Human Rights may soon outlaw brit milah across Europe. [Part II of II]
Friday, December 28, 2012 by Michael Pinto-Duschinsky | Jewish Ideas Daily » Daily Features
While many German war criminals escaped prosecution, the European Court of Human Rights may soon outlaw brit milah across Europe. [Part II of II]
Evil and Id
In Freud's Last Session, Mark St. Germain's superlative play about a hypothetical encounter between Sigmund Freud and C.S. Lewis, there is a telling moment when the founder of psychoanalysis admits that he was slow to grasp the boundless evil of Nazism: "It took near tragedy for me to see Hitler for the monster he is."
Wednesday, July 11, 2012 by Ben Cohen | Jewish Ideas Daily » Daily Features
In Freud's Last Session, Mark St. Germain's superlative play about a hypothetical encounter between Sigmund Freud and C.S. Lewis, there is a telling moment when the founder of psychoanalysis admits that he was slow to grasp the boundless evil of Nazism: "It took near tragedy for me to see Hitler for the monster he is."
Hollywood Goes to Auschwitz
Hollywood’s first encounter with the Holocaust came decades before Schindler’s List or any such dramatizations. The footage of genocide and its perpetrators, captured by three iconic American directors, shaped not only how we perceive the Holocaust, but also the subsequent development of American cinema—and the directors themselves.
Friday, June 29, 2012 by Alex Joffe | Jewish Ideas Daily » Daily Features
Hollywood’s first encounter with the Holocaust came decades before Schindler’s List or any such dramatizations. The footage of genocide and its perpetrators, captured by three iconic American directors, shaped not only how we perceive the Holocaust, but also the subsequent development of American cinema—and the directors themselves.
Editors' Picks
Architect of Lies Gilbert King, Smithsonian. Claiming to know nothing of Jewish slave labor in the factories he controlled, Albert Speer escaped Nuremberg with a 20-year jail sentence. But his papers show how well he deceived the court.
The Esther Code Rebecca Benhamou, Times of Israel. Just before Nazi Julius Streicher was hanged, he said, “Purim festival, 1946.” A new book, claiming that the Book of Esther predicated the Holocaust, has become a best-seller in France.