Lucy S. Dawidowicz
Eastern Europe
The rediscovery—and recovery—of Eastern Europe are central elements in contemporary Jewish culture. Ultra-Orthodoxy tries to maintain versions of Eastern European dress, speech, and mores. The theology of Abraham Joshua Heschel, the melodies of Shlomo Carlebach, the sound of klezmer, the literary productions of authors as disparate as S.Y. Agnon and Jonathan Safran Foer: all in their distinct ways seek to find, in the murdered world of Eastern Europe, a source of living energy for the present. Not all succeed, and only the best display a grasp of the sheer complexity of the civilization they mean to retrieve and/or to reconstruct. In one impressive recent study, large swathes of...
The rediscovery—and recovery—of Eastern Europe are central elements in contemporary Jewish culture. Ultra-Orthodoxy tries to maintain versions of Eastern European dress, speech, and mores. The theology of Abraham Joshua Heschel, the melodies of Shlomo Carlebach, the sound of klezmer, the literary productions of authors as disparate as S.Y. Agnon and Jonathan Safran Foer: all in their distinct ways seek to find, in the murdered world of Eastern Europe, a source of living energy for the present. Not all succeed, and only the best display a grasp of the sheer complexity of the civilization they mean to retrieve and/or to reconstruct. In one impressive recent study, large swathes of...